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oso music director to seattle

In a stunning announcement to a small group of musicians, staff and board members in Seattle’s Benaroya Hall, Carlos Kalmar announced that he will be taking the helm of the Seattle Symphony after current music director Gerard Schwarz ends his tenure at the close of the 2010 – 2011 season.

Seattle Symphony player representative Timothy Hale, in a prepared statement, said that the musicians of the Seattle Symphony were “tremendously excited” about the appointment, which was approved by the players in a “nearly unanimous vote”, and noted that they were “ready for the rigorous leadership and positive artistic strides” that had already “been demonstrated in his incredible work” with the Oregon Symphony and Grant Park Festival Orchestra.

Oregon Symphony PR director Carl Herko noted “if there can be a ‘freeway philharmonic’, then certainly there can be an ‘I-5 maestro”.  Taking the helm of two major orchestras separated by less than 200 miles is unprecedented, and it will be a major challenge for both organizations to manage their branding with the same personality on the podium.  As for the juggling of an already complex schedule, “it will be a herculean task” said Oregon Symphony Artistic Administrator Charles Calmer “but with the two orchestras only being a couple of hours apart, it is something that I and my colleague at the Seattle Symphony, along with Carlos’ management, can make happen.

At this point, where Kalmar will make his residence is unknown, but some saavy locals suggest Centralia, Washington as a stop-gap solution, while others, noting his third position, with the Television and Radio Orchestra in Madrid, felt that a New York home base might be the best solution.  “It certainly would make his Carnegie Hall appearance with the Oregon Symphony a much shorter commute” noted Oregon Symphony president Elaine Calder.

When asked about the concert hall situation for each orchestra, Kalmar said “I’ve talked to the boards, and there is a possibility that we could have each orchestra do a half-season residency in their respective cities – it’s an exciting possibility for both of these fine orchestras.”

19 replies on “oso music director to seattle”

At the Oregon Symphony, we have mixed feelings about sharing “our” Carlos Kalmar with audiences in yet another city, of course. But we’ve long felt that Carlos’ talents deserve a world-class concert venue. Unfortunately, the alternative — packing Benaroya Hall onto Amtrak Cascades and shipping it down here to Portland — turned out not to be a cost-effective option in these challenging economic times.

You forgot to mention that Schwarz will be conducting half-time in Portland.

“The Ger” will need a part-time job. After all, it’s hard to get by when one is only a millionaire.

Suddenly, Carlos is everywhere! Good for him, though eventually bad for us. But we knew that. Carlos doesn’t care for separating the violin sections the way Schwarz does, putting them across the stage from each other, so I wonder if he’ll change that in Seattle. I’m guessing he will.

There are rumors swirling about intercity string rotation as well! Perhaps Amtrak tickets will be part of the next negotiation…

If Carlos bases himself in Centralia, which is Merce Cunningham’s home town, there could be a lot of John Cage in the future of the Portland and Seattle orchestras.

(Alicia, bet this one gets you for four minutes and 33 seconds!)

Bob Hicks: You mean DEBASES himself in Centralia.
Yeah, Chukklenutz, you Peter wily violist, pizza-hurling, invective slinging mountain goat biker dudester you, ya had me. Unlike Alicia I went for they full monty…about 5 seconds. schnookered

I love April 1st! Last year OSO had its own concert hall, this year Carlos got another great job and we get to go to Seattle several times a year. I can’t wait for April 1, 2011. Perhaps something great is going to happen to me! 🙂

yes, gregory, next year you will be announced as rattle’s replacement with the berlin phil.

how’s your deutsch?

It was fun to see Instant Encore pick this up this morning and send it out! But I notice Doug at ArtsJournal didn’t fall for it – or maybe he checked with the SSO first. Brilliant, Charles!

Glad you liked it! I did at least put “april fool’s day” in the tags that appeared at the end of the post, so hopefully people would see that before grabbing their phone or keyboard!

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