You never know what you’re going to get when a new guest conductor arrives. It’s especially true when your scheduled guest has cancelled and the management is casting about frantically trying to get an adequate replacement on board in time for the first rehearsal.
In the case of Michael Francis, who is stepping in for the indisposed Alondra de la Parra, we got the real deal. He’s got all the goods. He has the “pretty hands” that show everything that you want, and without unnecessary talking. He has a calm, confident demeanor. And that bit of British self-deprecation that we Americans love (it makes us feel superior).
Given that two of the pieces are unknown to him (and to us), it could have been a disastrous rehearsal, but in fact, it was a very productive and working rehearsal, with humor and laughter interspersed. I’m very much looking forward to see how the concerts will go.
2 replies on “the real deal”
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I just got back from the concert, which I have to say was one of the very best this season. In fact, I would go so far as to say that Francis’s was one of the most impressive conducting debuts I’ve witnessed in Portland. The Schubert symphnoy had a buoyancy and clarity that was quite remarkable. The final piece on the program was also quite marvelous. As for Lauderdale, say what you will about his keyboard mannerisms, but the guy really gives the audience its money’s worth. I can’t say that every note was perfectly struck, but it was certainly a striking performance of the Grieg. My overall impression of the concert was one of relaxed, joyful music making. I would really love to see Francis return to Portland. As I exited the hall, it was apparent that the rest of the audience enjoyed the evening as well. Great job!